Pulp nuar sahifasining manbasini koʻrish

'''Pulp nuar''' — bu turli xil „[[nuar]]“ janrlari, shuningdek, „[[pulp jurnal]]“ janrlari, xususan, nuar filmning paydo boʻlishiga turtki boʻlgan detektiv janrlar taʼsirida shakllangan subjanrdir<ref>[https://americanpulps.com/influences-of-film-noir/ Influences of Film Noir — American Pulps]</ref>. Kriminal nuar klassik nuar uslublaridan foydalanishi, ammo unda shahar muhiti taʼsiri yaqqol sezilishi bilan ajralib turadi. Ushbu janrdagi turli medialarga filmlar, illyustratsiyalar, fotosuratlar va videooʻyinlar kiradi.

== Kinoda ==
Nuar film toʻgʻridan-toʻgʻri qiyin vaziyatlarda, oʻzlariga qarshi imkoniyatlar bilan biror maqsadga erishish uchun yashayotgan qahramonlarni qamrab olsa, kriminal nuar (pulp nuar) koʻpincha yanada shafqatsizroq, yakka oʻzi kurashuvchi qahramonni tasvirlaydi. Odatda, bosh qahramon hech qanday alohida qobiliyatga ega boʻlmaydi, lekin imkonsizdek tuyulgan toʻsiqlarga qarshi tura oladi. Kriminal nuar voqealari sodir boʻladigan joylar koʻpincha xaroba, qarovsiz va tanazzulga yuz tutgan shahar landshaftlari boʻlib, ularda qonun va axloqning yoʻqligi, hatto jinoyatchilik hamda giyohvandlikning keng tarqalishi odatiy mavzulardir. Kriminal nuarning yana bir keng tarqalgan tendensiyasi — bu uning shahar joylarini ulugʻlash va/yoki ularni yomon otliq qilishdir.

== Misollar ==
* ''[[Cat People (film, 1942)|Cat People]]'' (1942)<ref>[https://books.google.com/books?id=od7_WdOylyoC Black & White & Noir: American Pulp Modernism — Google Books (pgs.11-12)]</ref>
* ''[[Double Indemnity]]'' (1944)<ref name="pulpmodernism">[https://www.jstor.org/stable/10.7312/rabi11480 Black & White & Noir: Americaʼs Pulp Modernism on JSTOR]</ref>
* ''[[Laura (film, 1944)|Laura]]'' (1944)<ref name="foxnoir"/>
* ''[[Detour (film, 1945)|Detour]]'' (1945)<ref name="pulpmodernism"/>
* ''[[Hangover Square (film)|Hangover Square]]'' (1945)<ref name="foxnoir"/>
* ''[[Gilda (film)|Gilda]]'' (1946)<ref name="pulpmodernism"/><ref name="columbianoir"/>
* ''[[The Killers (1946 film)|The Killers]]'' (1946)<ref name="pulpmodernism"/>
* ''[[Nightmare Alley (1947 film)|Nightmare Alley]]'' (1947)<ref name="foxnoir"/>
* ''[[Out of the Past]]'' (1947)<ref name="pulpmodernism"/>
* ''[[The Naked City (film)|The Naked City]]'' (1948)<ref name="pulpmodernism"/>
* ''[[Thieves Highway]]'' (1949)<ref>[https://www.pps.org/article/ten-great-movies-for-placemakers?utm-content=bufferce3ed&utm-medium=social&utm-source=twitter.com&utm-campaign=buffer Ten Great Movies for Placemakers —— Project for Public Spaces]</ref>
* ''[[No Way Out (film, 1950)|No Way Out]]'' (1950)<ref name="foxnoir"/>
* ''[[Night and the City]]'' (1950)<ref name="foxnoir"/>
* ''[[The Big Heat]]'' (1953)<ref name="columbianoir"/>
* ''[[Niagara (1953 film)|Niagara]]'' (1953)<ref name="foxnoir"/>
* ''[[99 River Street]]'' (1953)<ref>[https://trailersfromhell.com/99-river-street/ 99 River Street — Trailers From Hell]</ref>
* ''[[Pickup on South Street]]'' (1953)<ref name="wannabet?">[https://www.theparisreview.org/blog/2015/06/02/seeing-red/ The Paris Review — Revisiting „Pickup on South Street“ — Paris Review]</ref><ref name="foxnoir">[https://www.criterion.com/current/posts/7577-the-criterion-channels-november-2021-lineup The Criterion Channel’s November 2021 Lineup|Current|The Criterion Collection]</ref>
* ''[[Killer's Kiss]]'' (1955)<ref name="50skubrick">[https://www.criterion.com/current/posts/8181-the-criterion-channels-july-2023-lineup The Criterion Channel’s July 2023 Lineup|Current|The Criterion Collection]</ref>
* ''[[Kiss Me Deadly]]'' (1955)<ref name="wannabet?"/>
* ''[[Touch of Evil]]'' (1958)<ref>[https://collider.com/orson-welles-touch-of-evil/ How Orson Welles Recharged the Pulpy Crime Genre With ‘Touch of Evil’|Collider]</ref>
* ''[[The Crimson Kimono]]'' (1959)<ref name="columbianoir">[https://www.criterion.com/current/posts/8625-the-criterion-channel-s-november-2024-lineup The Criterion Channel’s November 2024 Lineup|Current|The Criterion Collection]</ref>
* ''[[Shock Corridor]]'' (1963)<ref>[https://www.filmnoirblonde.com/noir-nightmare-%E2%80%98shock-corridor%E2%80%99-ramps-up-the-pulp-and-reminds-us-we%E2%80%99re-all-a-little-wacky/ Noir nightmare 'Shock Corridor' ramps up the pulp and reminds us: Weʼre all a little wacky —— Film Noir Blonde]</ref>
* ''[[Bonnie and Clyde (film)|Bonnie and Clyde]]'' (1967)<ref name="criminalduo">[https://decider.com/2019/03/28/bonnie-and-clyde-movies/ Bonnie and Clyde Movies: A History of the Criminal Duo in Film|Decider]</ref>
* ''[[Batman (1989 film)|Batman]]'' (1989)<ref>[https://www.forbes.com/sites/scottmendelson/2019/06/23/batman-not-star-wars-was-the-groundbreaking-blockbuster-that-ruined-hollywood/?sh=597d59783ea0 Why 'Batman,' Not 'Star Wars,' Was The Box Office Blockbuster That Ruined Hollywood — Forbes]</ref>
* ''[[Dick Tracy (film, 1990)|Dick Tracy]]'' (1990)<ref>[https://lwlies.com/articles/15-june-1990-gremlins-2-the-new-batch-dick-tracy/ 15 June, 1990, an exceptionally unhinged day in Hollywood history — Little White Lies]</ref><ref>[https://www.criminalelement.com/passionate-about-pulp-revisiting-dick-tracy-1990/ Passionate About Pulp: Revisiting Dick Tracy (1990) — Criminal Element]</ref>
* ''[[The Rocketeer (film)|The Rocketeer]]'' (1991)<ref>[https://theloftusparty.com/2021/05/03/creating-a-pulp-and-noir-heroverse-for-the-big-screen/ Creating a Pulp and Noir Heroverse for the Big Screen — The Loftus Party]</ref>
* ''[[Pulp Fiction]]'' (1994)<ref name="criminalduo"/>
* ''[[Million Dollar Baby]]'' (2004)<ref name="criminalduo"/>
* ''[[Sin City]]'' (2005)<ref>[https://www.rogerebert.com/reviews/sin-city-2005 Sin City (2005) — Roger Ebert.com]</ref>
* ''[[The Paperboy (2012 film)|The Paperboy]]'' (2012)<ref>[https://www.dmagazine.com/arts-entertainment/2012/10/movie-review-what-the-paperboy-says-or-doesnt-about-sex-in-the-south/ Movie Review: What The Paperboy Says (Or Doesnʼt) About Sex in The South — D Magazine]</ref>
* ''[[The Wild Goose Lake]]'' (2019)<ref>[https://geektyrant.com/news/awesome-trailer-for-the-chinese-pulp-noir-thriller-the-wild-goose-lake Awesome Trailer for the Chinese Pulp Noir Gangster Thriller THE WILD GOOSE LAKE —— GeekTyrant]</ref>

== Boshqa medialarda ==
Baʼzi [[Illyustratsiya|tasvirlar]] va [[Fotograf|fotosuratlar]] pulp nuar sifatida tasvirlanadi. Yaqinda baʼzi videooʻyinlar, masalan, [[Max Payne]] [[uchinchi shaxs otishma oʻyinlari]] seriyasi, ogʻir, gʻuborli, „iflos shahar“ mavzularidan foydalangan holda nuar film uslubida taqdim etildi. „[[SF Weekly]]“ jurnalisti Matt Smith ushbu atamani „jinoyat joyiga yugurib borish, tovonimda sirpanib toʻxtash va hammaga hamda hech kimga qaratmasdan: ‘Bu yerda kim boshliq?’ deb baqirish“ harakatini tasvirlash uchun ishlatgan<ref>[https://archives.sfweekly.com/sanfrancisco/noir-you-see-it-noir-you-dont/Content?oid=2157144 Noir You See It, Noir You Donʼt|Matt Smith|SF Weekly]</ref>.

== Yana qarang ==
* [[Neo-nuar]]
* [[Pulp jurnal]]
* [[Vulgar avtorizm]]
* [[B toifali film]]

== Manbalar ==
{{manbalar|2}}